A Way In, A Way Out investigates the fluid and unstable nature of perception through processes that move between control and chance. Bringing together six photographic works and a site-specific installation, the exhibition explores the shifting relationship between image, material and embodied experience.

Accompanying the installation is a photographic series developed through close studies of the artist’s own body. Bodily surfaces are photographed, enlarged, printed and immersed in water, allowing the photographic emulsion to gradually separate from its paper support. Through this process, the image shifts from a fixed record into a fragile and mutable material, where chance, material transformation and process become active collaborators in the work’s formation.

At the centre of the exhibition is Field Study, a large-scale installation comprising four-sided mirrored structures arranged into a complex spatial environment. Through repetition, geometric form and shifts in scale, the work unsettles conventional viewing positions, disrupting spatial orientation and generating multiple perspectives that unfold simultaneously rather than resolve into a singular point of view.

A Way In, A Way Out invites a slower, more attentive mode of viewing, proposing perception as something continually shaped through the interplay of what is seen, felt and imagined.