Social Construct uses mirrored columns and repeated geometries to examine the unstable and relational nature of perception and identity. Functioning as anti-objects, the works resist singularity by redirecting attention away from the sculpture itself and toward the shifting interactions occurring across its reflective surfaces. What emerges is a fragmented image of the viewer’s body, intersecting with other bodies, architecture and the surrounding environment.

Rather than presenting a coherent reflection, the mirrored surfaces continuously disrupt and reconstruct visual experience. The body appears dispersed and reassembled through multiple viewpoints, suggesting that identity is not a fixed or uninterrupted whole, but something continually produced through our relationship with others and the spaces we inhabit.

Through repetition, fragmentation and reflection, Social Construct proposes the self is shaped as much by external conditions as internal ones. The work invites viewers to consider identity not as a stable form, but as a shifting construct emerging through perception, interaction and context.